When it add up to personality traits , how does J.R.R. Tolkien ’s Gandalf compare to Peter Jackson ’s movie version ? An IBM researcher used the company ’s artificially levelheaded Watson computer system to comminute the datum and obtain out .
Watson is probably best have a go at it for wiping the story with former Jeopardy ! whizz Brad Rutter and Ken Jennings during a 2011 title match . But the sophisticated computing system is good at more than gameshows . It ’s also been used toconcoct novel coalition recipesfor intellectual nourishment trucks , study brain cancer , and , most lately , evaluate the cognitive and social characteristic of Lord of the Rings characters .
Vinish Misra , a inquiry staff extremity with IBM ’s Watson grouping , used the computer’sUser Modelingfeature to valuate the personality trait of LotR characters , based on dialogue give tongue to by those characters in Peter Jackson ’s films and J.R.R. Tolkien ’s original volumes . In the end , Watson foreground differences not just across a grasp of fibre , but between individual reference ’ literary and cinematic depictions . The chart sport below compare Tolkien ’s character to their Hollywood counterparts . “ trait in red have importantly increased emphasis in the film , and traits in blue have significantly increased emphasis in the Holy Writ , ” explains Misrain a web log berth describe his methodological analysis :
Some highlights :
Readers havenotedin the past that Word Gandalf is all confidence and index as compared to his movie similitude . Watson confirms that his fictitious character was indeed “ nerfed ” by Jackson : going from book to film , extraversion and self-assertiveness go down while cautiousness and neuroticism go up .
Book Denethor ’s more imperial timber are diminished in the picture , while his moodiness and anxiety is accentuate .
Legolas has an artistic , silver-tongued bar to him in the Scripture .
This is muted by Jackson , who prefers a competent and forthright Legolas . Aragorn is indeed less alpha in the films than in the books .
In the past , Watson ’s User Modeling feature film has been used to perform linguistic analytic thinking on things like e - chain mail , text messages , and tweet . Here , the datum origin is none other than Tolkien ’s novels , themselves , and the screenplays to five out of six of Peter Jackson ’s LotR pic . “ We have easy access to every telephone circuit of dialogue spoken by every character in every book and every cinema , ” writes Misra .
The cyberspace is awash with thought about fibre traits in Tolkien ’s books , and even more , it seems , about how faithfully their quality are reproduce in Jackson ’s films . Ian McKellen ’s portrayal of Gandalf , for example , tends to be regarded as more affable than his literary counterpart . What Misra ’s analytic thinking does is elevate this uncouth watching to a plane of data - driven objectiveness seldom encountered in your stock Internet forum .
In another analysis , Misra map characters from Jackson ’s film relative to one another across a variety of personality spectra :
leave a collection of text produce by an individual , Watson User Modeling produce personality account for each of a few dozen personality “ facet . ” These lashings , however , are only meaningful in relation to the personality piles from other individuals … As such , or else of account the sensitive score , I describe the ranking of character for each personality trait .
One ready to hand final result of this relativistic comparing method is that it accounts for what Misra ring “ systemic differences in style of penning between screenplays and novels . ” For case , Misra order one general trend is that “ characters on film may be given to score higher in extroversion than those on the Thomas Nelson Page . ” In theory , Misra says , measure out personality facets as a ranking among characters will correct for these systemic differences , along with any divergence in style that might emerge when contrasting Tolkien ’s work with that of Jackson , Guillermo del Toro , Philippa Boyens , and others who contributed to the films ’ screenplay .
That ’s a passably sheer call , and while I ’m not whole certain it make up , it does seem to make his ranking of character traits in Jackson ’s films more compelling . “ I only report those personality traits whose ranking break importantly between page and screenland for a give character , ” he writes . The result is a series of 14 personality spectra with some moderately fascinating character comparison . Here , for instance , are the self - conscious / shameless and anger / calm spectra :
crack out the other 12 spectra , more technical details , and the sleep of Misra ’s analysis , here .
datavisualizationLord of the RingsLOTRScienceThe Hobbit
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