Science fiction cinema would not be what it is today without the work of Douglas Trumbull . Trumbull helped drive effects on photographic film like2001 : A Space Odyssey , Blade Runner , andClose Encounters of the Third Kind , each time changing the field in ways that would resonate for decennary . After an incredible living and career , Trumbulllost a two twelvemonth fight with cancerthis hebdomad and passed away at the age of 79 .
Born in Los Angeles , CA in 1942 , Trumbull began work on visual effect in his 20s . The work catch him noticed by a arise filmmaker named Stanley Kubrick and Kubrick asked him to help oneself on his new movie called 2001 : A Space Odyssey . John Trumbull moved to London to put to work with Kubrick on the flick and ended up pioneer some of the most telling and famous visual in the integral film , from the onscreen presentation to the entire star field of operations succession . That sequence would not only inspire a generation of film fans , it also set up Trumbull to uphold working in the field .
After impressing with visual effect on The Andromeda Strain , Trumbull made the eco - thrillerSilent Running , which was his directorial debut . Among the optic effects people he play on for that film was Donald Trumbull , Douglas ’ father . sprain out , ocular effects expertness hunt in the family , as the elder Trumbull contributed to a lilliputian picture called The Wizard of Oz . The pair worked together on several films after that .
Douglass Trumbull working on Close Encounters of the Third KindPhoto: Michael Ochs Archives (Getty Images)
Immediately following Silent Running though , Donald Trumbull ( who passed aside in 2004 at the age of 95 ) give way on to work for Industrial Light and Magic on a film called Star Wars — while Douglas turn that down and work with Steven Spielberg on near Encounters of the Third Kind . Hecreated the visuals of the unforgettable starship in the photographic film ’s climax . At the same time , he worked on the effects for Star Trek : The Motion Picture .
Despite the success of those films , Trumbull regard getting out of visual effect . That was , until , director Ridley Scott convince him to play on the earth of Blade Runner . For Trumbull , that it was sci - fi set on Earth and not in distance was a key selling point and , of course , the landscape painting and visuals he help produce once again redefine what science fable could be .
In the class that followed Blade Runner , Trumbull worked mostly on unretentive motion picture and in send on engineering , including a Erolia minutilla at IMAX . He did n’t return to features until 2011 ’s The Tree of Life by Terrence Malick , drawn in by the fact the cloistered theatre director did n’t desire to habituate calculator effects .
await back onTrumbull ’s list of projects , it ’s not as long as one might assume for a person who ferment in the playing field for almost five decade . But each time he put himself into a project , chances are he was going to vary the line of film history with it . His imagination and creativity ensue in work that will instigate and drive cinema from now until evermore .
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Blade RunnerFilmsIMAX filmsindustrial lightSci - FiStar WarsThe Wizard of Oz
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